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Fela Kuti Fela is a man of contradictions. That's why he's so intriguing. People who love him can accept his flaws. His songs are usually 20 minutes long or longer, and sung in a slurred Pidgin English that is almost unintelligible. His music is inspired by Christian hymns jazz, classical music, Yoruba chant, and horn-and-guitar heavy highlife. He was a musician Fela Kuti embodied the idea that music can be an instrument of change. His music was used to advocate for social, political and economic change. His influence is still present to this day. His style of music, Afrobeat, is a combination of African and Western influences. Its origins lie in West-African high-life and funk however, it has evolved into a distinct style. His political activism was fierce and fearless. He utilized his music as a protest against corruption in the government and human right abuses. Songs like “Zombie”, “Coffin for the State Head” and others were shrewd criticisms of Nigeria's government. The residence he lived in, Kalakuta Republic, as an enclave for political activism and an opportunity to meet like-minded people. The play features a large portrait of his mother, Funmilayo Ransome-Kuti, who was a well-known feminist activist and feminist pioneer. Shantel Cribbs plays her, and she does a great job of capturing the importance she played in the life of Fela. The play also examines her political activism. Despite her declining health, she refused to get tested for AIDS and instead chose traditional medicine. He was a singer Fela Ransome-Kuti was a complex man who employed his music to effect political change. He is known as the creator of afrobeat, an invigorating hybrid of funk, dirty and traditional African rhythms. He was also a constant critic of Nigeria's governmental and religious leaders. Having been raised by an anti-colonial suffragist mother and a feminist father, it's not a surprise that Fela had a passion for social commentary and politics. His parents believed that he would be a doctor but he had other plans. A trip to America changed his perspective forever. Exposure to Black political movements and leaders like Malcolm X and Eldridge Cleaver would have a profound influence on his music. He developed an African-centric philosophy that would influence and guide his later work. He was a music producer Fela was introduced to Black Power activists like Stokely Carmichael, and Malcolm X while in the United States. The experience inspired him to create a political movement called the Movement of the People, and to write songs that reflected his ideas on black and political consciousness. His philosophy was expressed publicly through yabis – a form that he described as “freedom expression”. He also began to impose an ethical code on his band. This included refusing to accept prescriptions from Western-trained medical professionals. Fela returned to Nigeria and began to build his own club in Ikeja. Police and military officials were every day. His hangers-on from Mosholashi-Idi-Oro repopulated the area around the club with hard drugs, including “bana” and “yamuna” (heroin). Fela was a steadfast person in spite of this. His music is a testimony of his determination to challenge authority and demanding that the popular goals are manifested in official goals. It is an enduring legacy that will endure for generations. He was a poet Fela's music utilized sarcasm as well as humor to bring attention to the political and economic issues in Nigeria. He also poked fun at his audience, government officials, and even himself. In these shows, he referred to himself as “the big dick in the little pond.” These jokes were not accepted lightly by the authorities and he was repeatedly detained and beatings in the hands of authorities. He was eventually given the name Anikulapo, which translates to “he carries his body in his purse.” In 1977, Fela released a song called “Zombie” in which he compared soldiers to blind zombies who obeyed orders without question. The military was offended by this and seized Kalakuta Republic. They burned the place down and beat its residents. During the raid, Fela’s mother was thrown out of her second-floor apartment window. In the years after Nigeria's independence, Fela created Afrobeat, the genre of music that combines jazz and traditional African rhythm. His songs criticised European culture imperialism and supported African traditional beliefs and cultures. He also criticised fellow Africans for disrespecting their country's tradition. He also stressed the importance of human rights and freedom. He was an artist of hip-hop. A saxophonist, trumpeter, composer and pioneer of the Afrobeat genre, Fela Anikulapo-Kuti was born in 1938 in Abeokuta, Nigeria. He was influenced by jazz, rock and roll as well as traditional African music as well as chants and music. After his trip to the United States in 1969, Fela met Sandra Smith, an activist from the Black Power movement and her ideas influenced his work profoundly. After his return to Nigeria, Fela began using his music as a political tool. He was critical of the government of his country and also argued against Western sensibilities that affected African culture. He also wrote about societal injustices and human rights violations, and was repeatedly arrested for his criticism of the military. Fela also advocated for the use of marijuana, also known as “igbo” in Africa. He held “yabis” (public discussions) at the Afrika Shrine where he would ridicule government officials and express his views regarding freedom of expression and the beauty of women's bodies. Fela had Harems, a group of young women who performed at his shows and backed his vocally. He was a dancer Fela was a master of musical fusion, taking elements from beat music and highlife to create his own unique style. He influenced generations of African musicians and was an outspoken critic of colonial rule. Despite being tortured and arrested by the Nigerian military junta and seeing his mother killed, Fela refused to leave the country. He died from complications due to AIDS in 1997. Fela was a prominent political activist who was critical of the oppressive Nigerian Government and endorsed the ideals of Pan Africanism. His albums, including 1973's Gentleman focused on the oppression of both government and colonial political parties. He also promoted black-power and decried Christianity, Islam and other non-African imports for dividing the people of Africa. The title track from the album from 1978, Shuffering and Shmiling, describes the over-crowded public buses filled with poor workers “shuffering and smiling.” Fela was a staunch opponent of religious hypocrisy. His music was in turn complemented by his dancers, who were vibrant elegant, sensual, and beautiful. Their contributions were just as important as Fela's words. He was a political militant Fela Kuti used music as a tool to confront unjust authorities. He transformed his knowledge of American jazz and funk to African rhythms and modes making an ear that was ready for a fight. The majority of his songs start as slow-burning instrumentals. He layers melodies, riffs, long-lined melodies and other elements until they explode with urgency. Unlike many artists, who were hesitant to speak out about their politics, Fela was fearless and unbending. fela accident attorney stood up for his beliefs even when it was dangerous to do so. His mother, Funmilayo Ransome Kuti was a prominent feminist who was the leader of the Nigerian Women's Movement. His father was a protestant minister and president of the teachers union. He also founded Kalakuta Republic – a recording studio and commune that was a symbol of the resistance. The government raided the commune, degrading the property and hurting Fela severely. He refused to give up and continued to speak out against the government. He passed away in 1997 due to complications arising from AIDS. He was succeeded by his son, Femi, who continues to continue his musical and political legacy. He was a father Music is often seen by many as a political act. Artists use lyrics to call for change. However, some of the most effective musical protests don't use words in any way. Fela Kuti is one these artists, and his music still resonates today. He was the first to pioneer Afrobeat music, which blends traditional African rhythms and harmony with jazz and hip-hop and was inspired by artists like James Brown. Funmilayo Ransome Kuti was Fela's activist mother. She was a unionist and opposed colonialism. She helped form the Abeokuta Women's Union and fought against gender-discriminatory taxation laws. She also studied Marxism and believed that Nigeria should serve its entire population. Seun Fela's Son is carrying the legacy of his father with a group dubbed Egypt 80. The band is on tour around the world this year. The music of Egypt 80 combines the sound of Fela with a scathing denunciation of power structures that still exist in the present. The album, Black Times, will be released in March. Thousands of fans gathered to pay their respects at the funeral held in Tafawa Balewa square. The crowd was so big, that the police had to shut down the entrance.